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Showing posts with label ENTERTAINMENT. Show all posts
Showing posts with label ENTERTAINMENT. Show all posts

Russell Ferguson Wins ‘So You Think You Can Dance’ Season 6

Wednesday, December 16, 2009


Russell Ferguson Wins ‘So You Think You Can Dance’ Season 6. All the dancers from this season came back to kick the show off with a special performance to a song called, “Scared of Me” choreographed by Kelly Abby.

Then, they showed a brief recap of last night’s performances to lead into the first break. After the first break, The judges picked their favorite dance routines that they wanted to see again,and the dancers performed them to leadinto the 2nd break.

After the 2nd break, the judges picked more of their favorite routines they wanted to see again. Then Leona Lewis sung a song called “I See You” from James Cameron’s “Avatar” movie to leadinto the 3rd break.

After the 3rd break, The Groovaloo dancers did a special performance. Then the judges picked more favorite performance from this season. Afterwards, Russell hurt his leg during a routine. He was crying,but they had to quickly reveal that Ryan got 6th place to leadinto the 4th break.

After the 4th break, Adam Lambert performed his song, “What Do You Want From Me.” Then, they took a special look back at the entire season. Next, Cat revealed that Ashleigh got 5th place to leadinto the 5th break. After the 5th break, the judges picked more favorite dance routine to see again. Then, Cat revealed that Ellenore got 4th place to leadinto the 6th break.

After the 6th break, they watched more past routines to lead into the 7th break. After the 7th break, Mary J. Blige performed her new single “I Am.” After that,they watched another past performance from this season. Then Cat revealed Kathryn came in 3rd place to lead into the 8th break.

After the 8th break, Jennifer Lopez did a special performance. Then, Cat revealed that Russell won the show,and Jakob came in 2nd place. Russell gave a very passionate acceptance speech. He was extremely happy and excited to win the show.

So, with that being said , Russell Ferguson is your winner for season 6 of “So You Think You Can Dance.”

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Film friends reunited: James Cameron and Sigourney Weaver on ‘Aliens,’ and ‘Avatar,’


Cameron and Weaver on ‘Aliens,’ and ‘Avatar’

LONDON — What first signaled to a young, eager-to-please James Cameron he’d make movie history with Sigourney Weaver? Her heels.

More than two decades ago, the director was waiting to meet her in a Santa Barbara hotel to pitch his ideas for the film “Aliens” — the sequel to “Alien.”

“I knew she was a tall girl,” Cameron said. “I was thinking about her shoes. If she’s wearing tall heels she’s going to be this domineering personality and I’m going to be in for a rough ride. And if she’s wearing flats, she’s self-conscious about her height.”

“She was actually wearing like a middle heel and I thought, ‘OK this is going to work fine. She’s going to be strong, she’s going to be bold, but she’s not going to be completely out of control,’” he said.

In 1985, Weaver signed the deal that made her the first million-dollar actress and the movie was released the following year.

Her second space mission as Ellen Ripley — an astronaut who confronts her fears by taking on the hostile aliens she’d encountered in the earlier film, “Alien” — earned her an Academy Award nomination.

Cameron went on to have more success with his “Terminator” sequel and won 11 Oscars for doomed love story “Titanic.”

Earlier this month, Cameron and Weaver were discussing their relationship in London, after reuniting for another sci-fi adventure, “Avatar.” The 60-year-old actress plays scientist Grace Augustine, who takes on a 10 foot (three meter) alien form in order to explore the planet Pandora.

The Associated Press: Before Sigourney gets here, what do you think about the work you achieved together in “Aliens” with the strong female action character?

Cameron: It redefined strength. It wasn’t just about physically kicking butt, it was about having the emotional strength. It’s not about being strong and being fearless, it’s what you do in the face of fear. And that’s what that movie was all about.

(Weaver arrives)

AP: We were talking just before you came in about when you first met. He was telling me the story about wondering what shoes you were going to wear and how he was judging you.

Weaver: (Laughs) I had forgotten about that.

Cameron: I knew you were 6-foot-8 or whatever.

Weaver: Almost avatar size.

Cameron: Exactly and so it was with some trepidation that I was meeting you because I wanted the meeting to go well. I really wanted to make the movie, I thought we could do something pretty amazing together. I didn’t know if it would be a combative relationship or one where you felt proprietary control of the character. I couldn’t have been more pleasantly surprised at how much fun you thought the script was going to be.

Weaver: What astonished me just reading it, before I’d even met you, was that you knew more about Ripley than I did. And I don’t know how you were able to channel all that and come up with this amazing scenario of this woman, moved to another time, so isolated and no one would believe her and no one would give her a break and it was such a fantastic beginning to a story about a character.

Cameron: It’s interesting both Grace and Ripley are characters that are not believed by the male power structure. And I think that women feel that they’re not listened to, that their outlook on a situation or their analysis of a situation is not as credible as a male perspective, whether it’s in business or whether it’s in a relationship.

AP: Why do you think you’re able to understand women and female characters like that?

Cameron: My mother is a good role model, she raised five kids old school. She indulged in and supported my artistic endeavors so that may be part of it. Maybe it’s because I was a nerdy kid and wasn’t the captain of the football team and if I wanted to have a date … I’d better start figuring out how women thought. I wasn’t going to get by on my looks. And then as a filmmaker, I just naturally went toward the thing that people weren’t doing because that was a way to be fresh and different. And I was inspired by your character in “Alien” and other good female characters of which there weren’t that many.

Weaver: What I think is so wonderful about the way you write women is that action movies get a bad rap. Action is about character and it’s so exciting to see people who don’t fall apart under pressure. And you see someone being victimized and you just see them hold it together and come back and because women have this history where we’re perhaps more victimized and have a harder time being powerful.

Cameron: It’s like a chemistry experiment, I’m going to put some of this in, put some of that in, see if it blows up.

Weaver: Oh goody, it did.

“Avatar” opens in the U.S. on Dec. 18.

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The shocking 'Dexter' season finale: Read this review if you've seen it by Ken Tucker

Sunday, December 13, 2009


“The messes are piling up,” ghost-Harry warned Dexter in Sunday night’s season-four finale.

“You have your demons, I accept that,” said Rita to Dexter.

“Nothing is inevitable,” said Dexter to Arthur Mitchell, the Trinity killer.

I’m telling you right now, do not read this unless you’ve seen the shocking Dexter season finale.One more time: SPOILER ALERT!

Okay. Who saw that ending coming? I didn’t. And, yes, I remember that I’m the guy who was complaining about what a whiny pain in the butt Rita was becoming earlier on in the season.

But it says everything about the excellence of Dexter that the season not only gave us a completely satisfying, firm conclusion to John Lithgow’s superlative run as this season’s chief villain, but also sent the series spinning into a whole new direction for next season.

First: The hour began right where last week left off, with Dexter confronted by Arthur in the police station. Pretty soon, we saw a Dexter typical of this season: pressured, pulled in a number of directions, distracted and off his game. Having decided that Arthur had to die and fast, he began a wild car chase (“Do you even have a plan here?” said the Harry at his shoulder — bravo to James Remar for excellently understated work all season). And of course, in the midst of the chase, Rita called our guy, which led to dinging an innocent citizen’s car, which led to Dexter losing his temper with some investigating cops just after Dexter thought he had Arthur trapped where he wanted him.

“I didn’t follow the code — I lost it,” Dexter berated himself.

Meanwhile, Deb finally discovered that Dexter and the Ice Truck Killer were brothers. And congratulations to Jennifer Carpenter for a performance all the more remarkable this season for the fact that she had to play so many scenes of extreme emotion — cycling through falling in love with Lundy all over again, witnessing his death, suffering survivor-guilt over that, and now… this — and Carpenter did it without repeating any of her reactions, making Debra experience each fresh pain in a different, beautifully distinct manner.

The episode was building to the moment we’d waited for all season: Arthur on Dexter’s killing table. I cheered at the screen when Dexter slammed the hood of the Mustang down on Trinity’s head and said with reptile warmth, “Hello, Arthur Mitchell,” making ironic fun of the way Mitchell had greeted him.

Lithgow got to play his final scene immobile, strapped down, but fully capable of making us believe that, even at his most physically helpless, Arthur’s psychotic confidence enabled him to take command. He lectured, trying to deny Dexter a pure triumph, saying, “I was following my path. God led you to me.”

And once Dexter had dispatched Arthur — with the sharp end of a hammer, an impeccable touch — we got the Dexter ending we’d wanted: Our man dumping Trinity’s body over the side of his boat, and a shot of Dexter raising his head in vast relief, framed against a blood-red night sky.

And then we got the ending we didn’t see coming. The fearful symmetry of Dexter finding his son Harrison sitting in a pool of blood (“Born in blood, both of us,” in Dexter’s voiceover phrase), and Rita murdered in the bathtub.

“I’m what’s wrong — this is fate,” said Dexter.

So now Dexter had to take back all the brimming optimism he was nurturing within himself just a few minutes before. What does this mean for next season?

Did you stick around for the chat Michael C. Hall and John Lithgow had after the credits rolled? They were right: This was an ending designed to “tie people in knots.” It could indeed, as Hall suggested, cause Dexter to shut down emotionally, believing that it’s best if a man with a “dark passenger” to have room for no one else in his life. I suppose those grandparents we saw taking Rita’s kids off to Disneyworld could take them in, but… oh, it’s too soon to speculate. I’m just going to revel in the smashingly great way the season ended. Looking at the season as a whole now, Julie Benz deserves a lot of credit for playing Rita with such selflessness, risking losing some of our sympathy to make the final scenes all the more powerful.

Cheers to Michael C. Hall for letting us see new, vulnerable sides of Dexter without ever losing the witty, slit-eyed menace that makes the character so compelling, and to the producers and writers for maintaining the suspense while creating a whole new world within the Dexter world: the awful universe of Trinity and his own trapped family.

Traps are what Dexter is all about: How to get in them, out of them, and still realize there’s another you cannot predict.

What did you think of the Dexter finale?

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No tears shed as McElderry wins ‘X Factor


Move over Kevin Keegan – Tyneside has a new messiah, at least for the time being. In front of a television audience of 20 million, Joe McElderry, from South Shields was last night named the winner of the talent contest The X Factor . As the host Dermot O'Leary announced the result, McElderry, an 18-year-old performing arts student, was embraced by his mentor, fellow Geordie Cheryl Cole, and demonstrated what must be an X Factor first: no tears ... not one.

"I can't even speak, thank you so much everyone," McElderry said. "I can't actually speak and I just want to say thank you to Cheryl. She has been an amazing mentor."

Cole told him: "I feel over the moon, I'm absolutely delighted. The right person won. I'm so proud of you. The North-East are going to be going mad."

The runner-up, Olly Murs, 25, from Witham, Essex, was magnanimous in defeat, saying: "Joe has been amazing every week."

Cole's fellow judge Simon Cowell, who owns the X Factor format, thanked everyone, but particularly the 10 million people who gave him their money by phoning in to vote in the final.

McElderry, who beat 200,000 entrants to win the competition, then performed his debut single, a cover version of Miley Cyrus's "The Climb" from Hannah Montana: The Movie, as the first CDs were being pressed to go on sale this morning. Barring a miracle, or the success of an online anti-X Factor campaign urging music fans to instead buy Rage Against The Machine's "Killing In The Name", McElderry will almost certainly have Christmas No 1.

His victory was the second in a row for Cole as a mentor; she also coached last year's winner Alexandra Burke.

Sir Paul McCartney sang with all 12 finalists before the phone voting lines finally closed. Cowell jokingly told the former Beatle: "On behalf of everyone, you're though to the next round."

To its critics, The X Factor represents the triumph of the hype and celebrity culture which has taken over popular television. But there are two facts that are not hype. It has brought families together in front of their television sets in a way in most commentators said was impossible in our fragmented digital age. It has also provided a financial lifeline to ITV, allowing it to invest in programmes which are perhaps more worthy but would get a fraction of the audience. The broadcaster was able to charge up to £250,000 for each 30- second advertising slot.

Overall, the series is expected to earn £100m, with £20m generated from the weekend's two shows. Nigel Robinson, of MediaCom, an agency which buys advertising space for clients, said the programme was a vital part of ITV's attempts to improve its revenues and viewing figures.

"It is incredibly important to ITV. It is one of those big anchors in the schedule," he added. "Without X Factor this autumn, things would be much more difficult for ITV. It is hugely important.

"The X Factor will have given ITV a good percentage viewer share. That's what they are battling to win. It has been incredibly successful for them in the way Big Brother has been in the past for Channel 4."

The two finals were expected to provide the broadcaster with the most lucrative weekend in its history. The series appeals to advertisers because it attracts large numbers of viewers in a way that is usually limited to major sporting events, and this means ITV can charge advertisers premium rates. They are willing to bear the inflated costs because they can reach so many people at once, especially in the vital pre-Christmas trading period, and because being associated with the show gives them a certain amount of kudos.

Mr Robinson added: "People's viewing habits are quite fragmented in this age of digital and satellite TV. The X Factor is one of the few programmes which have got the pull and can attract a really, really big audience."

Where are they now? Previous talent show stars

*Girls Aloud won Popstars: The Rivals (2002). Reality TV's biggest success, with six platinum albums and 20 consecutive UK Top 10 singles. Cheryl Cole is now a judge on The X Factor.

* Steve Brookstein won the inaugural The X Factor in 2004. But he rowed with Simon Cowell and his record label, Sony BMG, dropped him in 2005. He has since gigged in pubs, ferries and Butlins.

* Michelle McManus won Pop Idol in 2003. But after one number one, failed to set the charts alight. Her second single flopped, reaching a mere number 16 in the charts.

* Will Young beat favourite Gareth Gates in the first Pop Idol (2002). He has sold 8million albums, won an Ivor Novello award, and was featured in an episode of ITV1's The South Bank Show.

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After 20 years, 'Christmas Vacation' still brings the laughs

Monday, November 30, 2009

All Clark Griswold wanted was an "old-fashioned family Christmas."

But he couldn't swing it because the fates were against him.

His zealous desire for perfection got in the way, too.

"National Lampoon's Christmas Vacation" turns 20 years old this holiday season, making it an official classic. In fact, it airs at 8 tonight on AMC (American Movie Classics).

As the hapless Griswold, Chevy Chase was in his prime. This was the third film in the Griswold misadventure "Vacation" films.

While it's not as sentimental as seasonal favorites such as "Miracle on 34th Street" or "It's a Wonderful Life," the movie has plenty of laughs and relatable holiday moments.

Some of us may know guys like Clark who go all out to decorate the house. He strings up 25,000 lights with interesting results.

And there's Clark's ill-fated quest for the perfect tree; the family cat getting fried by the gnawing on the tree lights; Uncle Lewis setting the tree on fire; redneck cousin Eddie showing up in an RV; and the family being terrorized by a maniac squirrel.

The film's script was written by the late John Hughes who adapted his short story, "Christmas '59," which appeared in National Lampoon's magazine in December 1980.

"Christmas Vacation" gives a nod to "It's a Wonderful Life," which is seen playing on a TV set in the background of a scene when the Griswold grandparents arrive.

In another scene Clark and Cousin Eddie (Randy Quaid) toast their eggnog in moose head mugs, a wink to Marty Moose and Walley World from the first "Vacation" movie.

Fans of the film can purchase replicas of those mugs, as well as Griswold, Walley World and "Christmas Vacation" T-shirts at www.chasingthefrog.com/
christmasvacation-t-shirts.php

You can get one with Clark's rant against his boss. Griswold has some choice words when he learns that the Christmas bonus is a membership in a jelly of the month club.

And Hallmark has a commemorative Christmas ornament, "Cousin's Eddie's Rusty RV," which plays some of Eddie's lines from the movie. Now that's classic.

SNOWED IN: The Weather Channel wants you to be dreaming of a white Christmas with its "Guaranteed White Christmas" contest.

One viewer will have snow delivered on Christmas Day (no matter the location) and there will be live coverage by meteorologist Adam Berg.

Viewers have until Dec. 6 to send in a video pleading for snow. Check out the rules on www.weather.com/ whitechristmas.

SNL HOSTS: "Saturday Night Live" appears to be making a run at younger female viewers with next round of guest hosts. Saturday's episode will be hosted by "Gossip Girl's" Blake Lively, with musical guest Rihanna.

Taylor Lautner, the hunky teen werewolf of "The Twilight Saga" is paired with Bon Jovi on Dec. 12. And James Franco, currently guesting on "General Hospital," will host Dec. 19 with British rock band Muse as the musical guest.

DONT MISS: "How the Grinch Stole Christmas," at 8 tonight on ABC, is the 1966 animated Dr. Seuss holiday story that takes viewers inside a snowflake to Whoville, the magical land of the Whos where the Grinch, a hateful creature with a heart three sizes too small, despises Christmas and plots to steal it.

TUNE IN TONIGHT: "Smokey Robinson Tribute on Ice," 6 p.m., Hallmark Channel

Filmed during the recent Tampa stop, singer Smokey Robinson performs his hits (not on ice) while Olympic, World and National figure skaters are on the ice.

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Delaney Starcher

Sunday, November 29, 2009

Full Story And Original Content.Thnewspk.com”Delaney Starcher”:With sister Bailey left watching every move 5-year-old Delaney Starcher learns firsthand about fingerprints Saturday while touring the. With sister Bailey left watching every move 5-year-oldDelaney Starcher learns firsthand about fingerprints Saturday while touring the.
13 Jun 2009. Delaney Starcher covered by TrendHeadlines.com.13 Jun 2009. delaney starcher – Google Blog [...]

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Thanks Giving - Google

Thursday, November 26, 2009

google-doodle-logo-thanksgiving

As those creative rascals at Google love to do on special days and holidays, today’s Google doodle logo commemorates Thanksgiving in the United States, with beloved members of the Peanuts gang Snoopy and Woodstock forming the letter “L” in the Google title.

Here is the artwork Google used for its Thanksgiving logo in 2008:

google-doodle-logo-thanksgiving-2008

And in 2007:

google-doodle-logo-thanksgiving-2007

And in 2006:

google-doodle-logo-thanksgiving-2006

And in 2005:

google-doodle-logo-thanksgiving-2005

And in 2004:

google-doodle-logo-thanksgiving-2004

And in 2003:

google-doodle-logo-thanksgiving-2003

Happy Thanksgiving!

Previous posts about Google’s logo doodles:
Veterans Day Art Tribute: New Google Doodle Logo, Norman Rockwell Military Tributes
Google’s Doodles Honor Sesame Street’s 40th Anniversary… Happy Birthday, Big Bird! (video) - Updates
Mystery of 2 “L’s” on Google’s Homepage

About the author

Vicki McClure Davidson

I'm a conservative frugalist. My priorities: Watchdogging the government, making sure our tax dollars are spent wisely, living within our budgets (at home and in Washington, DC), and adhering to our Constitution and the conservative principles upon which it was developed by our founding fathers. Also, loving God, my family, and my country. Be wise, be frugal. God bless America!

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SHREK THE MUSICAL Celebrates One Year on Broadway

www.ShrekTheMusical.com

The cast and crew of SHREK THE MUSICAL®, the Tony Award®-winning production, will celebrate the show’s one year anniversary on Broadway with a reception on stage at the Broadway Theatre on Sunday, November 8th after the matinee performance. Cupcakes will be provided to the cast by CRUMBS Bake Shop.

SHREK THE MUSICAL® will play its final performance on Broadway at the Broadway Theatre (1681 Broadway) on Sunday, January 3rd, 2010 at 3:00 p.m. following 441 performances and 37 previews. The national tour launches at Chicago’s Cadillac Palace Theatre for a limited engagement, July 13 – September 5, 2010.

SHREK THE MUSICAL® features a book and lyrics by Pulitzer Prize® winner, David Lindsay-Abaire, music by Olivier Award-winner Jeanine Tesori, and is directed by Tony Award® nominee Jason Moore. Following a pre-Broadway engagement at the 5th Avenue Theatre in Seattle, SHREK THE MUSICAL® opened at the Broadway Theatre on Sunday, December 14, 2008.

SHREK THE MUSICAL® is an entirely new musical based on the story and characters from William Steig’s book Shrek!, as well as the DreamWorks Animation film Shrek, the first chapter of the Shrek movie series. The musical is produced by DreamWorks Theatricals (Bill Damaschke, President) and Neal Street Productions, Ltd (principals Sam Mendes and Caro Newling).

SHREK THE MUSICAL® received eight 2009 Tony Award® nominations including Best Musical, winning Best Costume Design of a Musical (Tim Hatley). The show also received three Drama Desk Awards for Outstanding Actor in a Musical (Brian d’Arcy James), Outstanding Set & Costume Design of a Musical (Tim Hatley); and four Outer Critics Circle Awards for Outstanding Actor in a Musical (Brian d’Arcy James), Outstanding Actress in a Musical (Sutton Foster), Outstanding Set & Costume Design (Tim Hatley).

SHREK THE MUSICAL® tells the story of a swamp-dwelling ogre who goes on a life-changing adventure to reclaim the deed to his land. Joined by a wise-cracking donkey, this unlikely hero fights a fearsome dragon, rescues a feisty princess and learns that real friendship and true love aren’t only found in fairy tales.

DreamWorks Animation (NASDAQ: DWA)

CHASE is the official card of SHREK THE MUSICAL®.

For more information, visit www.shrekthemusical.com

TICKET INFORMATION:

Tickets for SHREK THE MUSICAL® are available by calling Telecharge.com at (212) 239-6200, (800) 432-7250 outside the NY metro area, online at Telecharge.com, or in person at The Broadway Theatre box office (1681 Broadway @ 53rd St). Group sales are available by contacting Telecharge Group Sales at 212-239-6262, or 800-432-7780.

Tickets on Tuesdays through Thursdays range in price from $41.50 to $121.50, and tickets on Fridays through Sundays range in price from $51.50 to $126.50. All tickets include a $1.50 facility fee.

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Adam Lambert - For Your Entertainment Video Review!


Adam Lambert's music video of 'For Your Entertainment' proved that he's the newest thing in the music scene. Released after his controversial American Music Awards 2009 controversial performance, Adam Lambert is up with another video that will surely spark some debates. Wearing a very sexy black outfit, Adam Lambert resembled Madonna's image when she performed with Britney Spears for the music video collaboration 'Me Against The Music'.

Adam Lambert's
'For Your Entertainment' music video also injected some elements of another Britney Spears' song - 'I'm A Slave For You' when he projected his tantalizing eyes while holding a domesticated snake. Adam Lambert also expressed his gender preference in the said music video, sex, fascination and catchy dancing moves dominated the whole 3 minute 36 seconds music video. Adam Lambert's album with the same title is now available worldwide. Check out the official music video of Adam Lambert's 'For Your Entertainment' below.


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Amanda Beard Playboy

Sunday, November 22, 2009

Amanda Beard Playboy : Beard whose full name is Amanda Ray Beard was born in Newport Beach, California on October 29, 1981. She is an Olympic-level swimmer in the United States and now working as a model as well. She has participated in several Olympics as a professional swimmer of the United States in which Summer Olympics of 1996, Summer Olympics of 2000, Summer Olympics of 2004 and Summer Olympics of 2008 are included.
Amanda Beard has won overall seven medals in these Olympics in which the medal she won in the Summer Olympics of 2004 was the latest medal of her life so far. In 2003, she got the number one position in the world for the category of 200 meter breaststroke. Amanda Bread has won three competitions of 200 meter breaststroke, three competitions of 100 meter breaststroke and two competitions of individual medley of 200 meter in the United States.
When she was studying in Irvine, California at Irvine High School and was only 14, she participated in the Atlanta Olympic Games of 1996 and made her debut as a professional swimmer. Amanda Beard captured the media attention through her shy manners and youth and several times she was photographed by media while gripping her teddy bear, even standing to receive the medal on stage.
She has also posed naked for the notorious magazine “Playboy” in 2007. She was featured naked in the June 2007 edition of this magazine. Her naked picture was featured on the cover of Playboy magazine and was named as the sexiest sports person on the globe. Amanda Beard Playboy pictures can be seen on the following link:

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Dancing With the Stars results november 17

Wednesday, November 18, 2009

November 18: Dancing With the Stars results november 17. Swimsuit model Joanna Krupa is out from the popular show "Dancing With the Stars" despite her good performance. Had Krupa and partner Derek Hough cleared this round they would have been in the final dance-off for the disco-ball trophy. But luck was not on their side.

The most painful thing for the fans was that they were booted out after strong scores from the judges Tuesday night.

"Last night was pretty tough," Krupa told a morning show. "I wasn't too shocked to find out I was leaving. I was competing against huge names. ... I was prepared for it, but I am bummed, I won't lie. I tried my best." Some of the most consistent dancing on the show was unveiled by profession Derek Hough, the self-styled "underdog". How good their performance was can by measured from the points they got from the judges. They earned 81 out of 90 for their Viennese waltz on Monday's show.

Their dance so inspired Judge Carrie Ann Inaba that she blurted a complimentary remark: "You took my breath away." But even that could not save them from exit as a few fans voted in their support, dropping their overall scores.

"Even though I got to the semi-finals, I'm over-the-moon excited," Krupa said.

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Janet Jackson tells ABC's Robin Roberts what she misses most about brother Michael Jackson (video)


Another new clip of the much anticipated Janet Jackson interview with Robin Roberts that airs tonight has surfaced. It is the singer's first lengthy interview since the passing of her brother, Michael Jackson.

Janet Jackson says of her relationship with MJ, "We were incredibly close." When asked what she misses the most about him, Janet Jackson reveals, "For me, his silliness. His love. How much fun we used to have together. We would practically do everything together from morning until night. Everyday."



You can watch Janet Jackson's interview with Robin Roberts on ABC tonight at 10p.m. ET on ABC. Check your local listings for exact channel.

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Will Carrie Underwood Move in With Boyfriend Mike Fisher?


Country music sensation Carrie Underwood appeared on "The Ellen DeGeneres Show" on Wednesday afternoon, and she revealed if she plans to move in with her boyfriend, Mike Fisher.

When asked if the pair plans to shack up together, Carrie prefaced her answer by saying, "Call me old fashioned."

"The next guy I move in with will be my hubby, whoever that is," she told Ellen. "I'm not saying it's going to be him."

She said the relationship with the Ottawa Senators hockey player is the "the longest relationship I've had."

The blonde beauty also said the she was initially put off by the idea of dating a hockey player who lived so far away (Canada), but added, "We see each other more than people think we see each other. We don't go out…but we do get to see each other."

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Welcome to the World Premiere of 'Marvin's Minute (Or Two)' on Fox411.com


What do you do when you have a producer roaming your halls who has Shepard Smith's deep baritone, Sacha Baron Cohen's razor wit, and Brad Pitt's good looks?

We don't know.

But if you have one who is Gilbert Gottfried's vocal twin, you give him his own Web show.

In today's World Premiere of 'Marvin's Minute (Or Two)', Fox News Digital producer Marvin Himelfarb runs down today's sexiest, sauciest, scandal-iest, entertainment stories on FOX411.com.

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Lady Gaga Dead - New Released Album and Video

Monday, November 16, 2009

When the headline Lady Gaga dead flashed across my computer screen I nearly had a nervous breakdown. Dramatic? Okay, maybe a little. However, the Lady Gaga death rumor isn't entirely without merit. Check out the artwork from the new Lady Gaga album The Fame Monster and you might see where the Lady Gaga dead rumor originated. I'm starting to wonder what Lady Gaga is more obsessed with - Fame or Death? In any case, her album is phenomenal. Check out this new song:



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Mandy Patinkin transplanted to 'Three Rivers'

Sunday, November 15, 2009


Emmy winner Mandy Patinkin is returning to CBS, but he won't be solving crimes or healing sick people. Or, as far as we know, singing.

The former "Criminal Minds" and "Chicago Hope" star will make a guest appearance on the network's new medical drama "Three Rivers" later this fall. He'll be playing an ALS patient who, after a car crash, asks to be taken off life support so others can use his organs.

Patinkin is a transplant recipient himself. He underwent corneal transplants in both eyes in 1997 and '98 to correct keratoconus, a condition in which the cornea is misshapen and severely impairs vision.

CBS hasn't set an airdate for the episode yet.

Patinkin won an Emmy in 1995 for his role on "Chicago Hope" and was nominated again in 1999 (he also earned a guest-acting nod for "The Larry Sanders Show" in '96). He starred on CBS' crime drama "Criminal Minds" for its first two seasons and has recently played Prospero in a New York production of "The Tempest" and has done a series of concerts with his "Evita" co-star Patti LuPone.

Follow Zap2it on Twitter for the latest TV, movie and celebrity news.

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Tough Talk From Steve Ward - Season 2, Episode 1


As he did last season, Master Matchmaker and VH1 Tough Love commander Steve Ward will weigh in with his thoughts on each episode of his show. Below, Steve talks about the second season premiere, the new batch of women seeking his help, the problems women in their 40’s face when looking for love and why he tends to haunt the people he advises like a ghost.

Did you take a different approach to Tough Love this season?

The biggest difference between this season and last season is that everybody knows me now. The men and the women. They know what the show’s about, they know what I’m about. They know what they’re signing up for. In Season 1, no one had any idea what to expect, including myself. Despite how provocative and outspoken I was, I still held back in Season 1, because I didn’t know how it would come across. Once I saw that and I was convinced that the producers are looking out for my best interests, I just took the gloves off in Season 2. I mean, I just threw caution to the wind, and I didn’t give a s***. And I went out there and did what I wanted to do, and I told the producers, “If you need to dial me down, or reel me back in, you go ahead and do that. But I’m going for it.”

You tell the girls that you’ve studied them very carefully. Does that mean that you were involved in the casting process?

Towards the end I was. I mean, there really were 20,000 women who applied to be on the show. And they had to filter them all down. So when it got down to about two or three dozen women, my mom and I got really involved in the selection of the final cast.

What were you looking for?

Basically, room for improvement. It’s one thing to work with somebody who is completely off base and has no idea what the hell they’re doing. But if you really can’t get through to them, there’s really no sense in even bothering. Additionally, I wanted to work with women that I felt were marketable. No matter what, I felt that I could match them.

One of the first things you have these women do is write what qualities they’re looking for in Mr. Right. And they’re all off, by your gauge. Was that a surprise?

No, not at all. I do that on purpose. I knew exactly what they’re going to write. A lot of the time, women are wishing for things that are completely unrealistic, things they have absolutely no chance in getting. So it’s sort of like, “Why even bother?” I mean, seriously. The purpose of the exercise was to see how reasonable their expectations are. It’s pretty obvious to me, and hopefully to the audience at home, that they were all unrealistic.

You end up later yelling at Kanisha regarding this issue, telling her, “You’re going to get what I give you.” Did you find her particularly unreasonable?

She came on the show making demands, and this happens all the time. It happens in my business, too. They come to me and say, “This is what I want. This is about me. It’s about what I want. This is what I’m looking for.” You know what? Spare me. I don’t give a s*** what you want. I’m going to tell you what’s good for you. These women think that they can just walk out and choose a man like they’re buying a puppy at a pet store or something. It doesn’t work like that. I need to break that down. This girl felt like she was entitled to all of this wealth and success and all of these other things. And I’m like, “What the hell are you going to give in return?” And that’s the thing that these girls don’t realize: you’d better get your s*** together quick because before you know it you’re going to be 40 and single and guys aren’t going to touch you with a ten-foot pole.

Do you think it’s totally hopeless for people who are 40 and single?

No, just a lot f***ing harder. And why deny it? Let’s just face it: it gets harder. Guys who are in their 40’s don’t want to mate with women in their 40’s. Period. I mean, it’s biological. They want to mate with somebody that they have a far greater likelihood of developing healthy offspring with. When a woman gets into her 40’s and is ready to have a kid, you have high-risk pregnancies, you’ve got chances of birth defects. And whether men even realize this or not, subconsciously, they know the risk is there. It’s like going out and buying a car. You’re not going to walk into the dealership and say, “Hey, do me a favor. Give me a car that’s 10-years-old but has no miles on it. Because it’s just as good to me as the brand new version with no miles on it.” You know what I mean? It doesn’t work like that. You want all of the perks and amenities of the newer model.

But when you say something like that, or “For women, sexual partners should be like golf scores: the lower the better,” are you speaking on how things are or how they should be?

I’m just saying that that’s what men are hoping for. For the sex partners, I’m going to use that car example again. You go into a car dealership. You ask for a CARFAX. You see the car has 10 different owners. Are you going to buy the car? No, you’re not. When girls have the reputation of being with a lot of men, or if it’s revealed that they’ve been with a lot of men, all of a sudden you don’t feel that special.

In an ideal world, somebody would buy that car because recycling is good for the environment.

In an ideal world. But unfortunately that’s not the world that we live in. And it’s only getting worse.

I know that you’re very pragmatic.

It’s like, look: I’m not an incurable or hopeless romantic. Don’t get me wrong, I’m extremely romantic, but I’m also an extreme realist. And this is just what I’ve observed and doing what I’ve been doing for the last ten years. This is an opinion, OK? This is observation.

After the blow-up dolls, you have the women projected into a screen and then have guys sort of rate them. What was the philosophy for basing a challenge entirely in the realm of the superficial?

If you remember in Season 1, we made them walk individually in front of the guys. They were aware that they were being judged, so you can almost see some of them trying harder, or consciously trying to seem as if they weren’t trying to impress the guys. In this season, I wanted to do it in such a way that they didn’t even realize that they were being looked at. That’s why we filmed them just walking up to the house. The purpose of doing it at the City Walk in front of the public, and also in front of them, was so that they could learn from each other, and so that they could learn from the reactions of people in general, not just those three men.

When you’re going over these results, you mention that Angel’s dealt with a lot of trauma.

Oh yes, she has. Let’s see: she was adopted and then she had her son and was abandoned by his father. I mean, that’s pretty serious.

It’s heartbreaking.

Oh, tell me about it. Your heart goes out to these women. There are episodes that are probably going to make you cry. Just like every single woman in the room did. You gotta understand, most of what we do on this show is very cathartic. And I mean that in every sense of the word. It is literally expunging all of this negativity, and abuse, and neglect, and abandonment, and trying to exorcise it like a demon.

Yeah. There’s also Jenna. Her insecurity is striking.

That kind of insecurity can be more off-putting than arrogance. At least arrogance shows a sign of confidence. That type of insecurity is just so draining. It’s freaking exhausting. Look, her weight loss is an incredible accomplishment. I try not to take that away from her, but in the same breath it’s like, “Good job. Move the f*** on.” I mean, “Congratulations. You’ve accomplished something really terrific in your life. Move on. Move on to your next accomplishment.”

Elizabeth strikes me as the girl who’s the furthest along in her process.

She isn’t. You’ll find this out later on. First of all, she shows up for the show with a nose ring and biting off the caps of beers. I’m trying to class the girl up a little bit. She’s like Jacklyn from season one, except from Kentucky rather than Texas. Her father died two years ago, and she’s so desperately looking for a man to fill the void in her life that her father left that she actually interrogates every single guy that she’s with to make sure that they’re ready to get married, like within seconds of meeting them.

You have the women sit through a speed-dating session this episode, much like you did on the last premiere. As a matchmaker, what’s your opinion on speed dating?

Well, let’s see, on January 29 I’m hosting the world’s largest speed dating event at the W Hotel.

OK, so you’re a firm believer.

Well, it’s not that I’m a firm believer, I just think that you can meet anybody anywhere at any time. You know? You just have to be able to maximize the utility of that time. And really, the biggest point of the speed date was actually to help us. I mean, we put 32 guys out there. It was helpful for my mom and I to see how they acted when meeting men, which guys they were most attracted to and why.

By the end of the first episode, what was your overall impression of the group? Did you know that you had your work cut out for you?

Yeah. If you recall, the very last thing I say in the supertrailer, which was filmed at the end of the first group, was “I’m exhausted.” I mean, honest to god, by the end of that first week I was getting ulcers and headaches again just like last season.

Do you have any goals for this season or just overall?

At the end of the day, whether or not these women leave this show in relationships, or maintain the relationships that they leave the show in – that’s all inconsequential to me. What matters most is that they’ve grown from this experience and learned to love themselves. And that they can then carry that forward with them in their future dating endeavors. This way, the next time they do meet somebody, it works in their favor as opposed to working against them. I guess what I’m trying to do, and the whole purpose of the show, is to increase the awareness of these women and make them more super-conscious of what they’re doing. I think that if I’m successful in doing that, then I’ve done my job. From the feedback I get from these women since filming wrapped, it’s almost like I haunt them like a ghost. They go about their love life, and I kind of appear to them, like an apparition, and remind them not to fall into old patterns by doing the things that they would normally do.


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KLYMAXX’S ANTI-CLIMAX (PART 2): TV One's 'UnSung' chronicles 80s funk femmes this weekend. (Video)

TV One continues the profiles on its smash hit series “UnSung.” This weekend, the show comes to a “Klymaxx” as it features the 1980s girl-group of that name.

Klymaxx was made up of founder Bernadette Cooper, vocalist Lorena Porter (Shelby), bassist Joyce Irby, guitarist Cheryl Cooley and keyboardists Lynn Malsby and Robbin Grider, and made history as the first all-female R&B, funk and pop band in which every female member played an instrument.

The ladies commanded the radio waves with songs such as the 1985 hit “I Miss You” and "The Men All Pause" and "Meeting in the Ladies Room" and the hit “I’d Still Say Yes,” a couple years later.

The band's break-up began in 1989, when Cooper wanted to go in her own direction, and the years passed with friction growing between Cooper and Cooley who later began touring under the unauthorized name of the band. (Read Cheryl Cooley's side of the story, here, in part1.)

“UnSung” reveals the story behind the band's break-up just as they were at the height of their popularity, leaving fans wondering what if.

“With all great bands, people outgrow situations,” Cooper said of the break-up. “It’s plain and simple. I think we were all equal in poverty in the beginning. We were all hungry, reaching for the same goal, going towards that light together, but as time [went] on – people wanted to have babies and get married – everybody starts separating and getting into their own thing.”

“And of course, within a group you have your friction, especially when one or two members that people focus on more,” she continued. “That’s one of the reasons – I won’t say the entire reason for the demise of Klymaxx. I was getting a lot of focus and that’s because I was so outrageous. If you didn’t notice me, I was going to make sure you noticed me.”

The Original Klymaxx

Cooper told EUR’s Lee Bailey that a lot of the other band members were bothered, maybe even a little envious that she, and co-lead singer Joyce Irby, got more attention.

“They felt like they equally put in as much time and weren’t getting the recognition. Of course I started to grow and my ego,” Cooper confessed. “In this business you can’t survive without some kind of an ego whether it’s mature or immature. So I started to feel myself. I started to notice I was a pretty good writer and I wanted to spread my wings out and I started to feel like I was being held back.”

Cooper said that although she wanted to stay in the group, the rift got bigger between her and her bandmates and the vision she had for the band was not becoming the reality.

“It was unfortunate because it did affect everyone’s life, but what does one do?” she posed. “I think about if I would have stayed, where would we be? This was my baby, this was my vision, and I started to think that this group was going in a different direction than where I wanted them to go. So I felt like I was stifled. I was hot, and I wanted to move forward. Would I change things if I could go back? Maybe.”

As for the recap in the latest “UnSung” episode, Cooper said she was a little apprehensive about being a part of it. However, she was so impressed with previous episodes of the show, she agreed to participate.

“They gave me the choice, but they couldn’t continue without me being involved,” she said, “but I love the production company and I love their work. So I said, ‘This is a story that needs to be told and it’s probably going to be great closure for a lot of the girls.’”

Plus, the show also offers up a history lesson about the pioneering career of the group and, as Cooper put it, and opportunity for people to “give them their props.”

“We were revolutionary in creating not only an all-girl band, but we were the first ones talking about we’re looking good and designer clothes. Now everybody’s saying that,” she said. “We were the first ones telling women, ‘Love yourself. Be sexy.’ But unfortunately, you look back and there are a lot of different versions about how it went down. Even my version could be a little scattered.”

Cooper’s version is that Cheryl Cooley aggressively went after the name Klymaxx without any regard for the other members of the band (an accusation Cooley denies). Now, the two factions are in litigation, with Cooley challenging Cooper’s exclusive right to the name Klymaxx and awaiting a settlement or some sort of agreement between the two parties.



“She’s still out there doing her thing. I can understand where she’s coming from,” Cooper said of Cooley, “but she’s disgracing the name. She’s going out as Cheryl Cooley’s Klymaxx doing cover shows at any little show that you pay $10 to get in. That’s disgracing the legacy of Klymaxx. It shouldn’t be cheapened like that.”

Cooper reported that her Klymaxx band just did a show along with 80s funkateer Morris Day at the legendary Greek Theater in Los Angeles, while Cooley defended that her Klymaxx had just come off a huge tour with hot old school acts such as Tone Loc and Lisa Lisa.

“But I love everyone in the group, even Cheryl Cooley,” Cooper digressed. “They were all part of making Klymaxx. This thing that I created, they were a part of nurturing and making it into the Klymaxx that became popular.”

Klymaxx is featured on “UnSung” this Sunday at 8 & 11pm (ET) on TV One. Bernadette Cooper will be “tweeting” live on www.twitter.com/klymaxxfansite during the show.

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Susan boyle


Susan has revealed that she decided to have a makeover after seeing herself on television.

She explained that she was very unhappy about being described as the “Hairy Angel” by the press.

“I was fed up with being called that,” she explained to the Daily Mail. “I didn’t know what I looked like on television until I saw myself on Britain’s Got Talent. I saw this wee wifey with the mad hairdo and the bushy eyebrows and said, ‘Hmm, not really telegenic’.

“So I decided to spruce myself up a bit. When I look in the mirror now, I see this sophisticated lady. I’m still a bit like that wee wifey inside, but more refined in some ways. Would you want to look like the Hairy Angel? I don’t think so.”

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Wedding Daze


Wedding Daze, The last days have been mild compared to before the wedding. EJ and I woke up with a lot of stress being lifted. EJ repeated to herself in disbelief, “It’s over.” Dad and Anita came into Seoul to see the palaces. I was going to go with them, but I was too tired. EJ and I cleaned the house.

Around noon, I received a call from Ben saying that Mom and Brian were looking for some foodage. I told them to me at Beomgye. The taxi driver left in a strange point in the middle of Beomgye not near the station. The intention was to locate some of the famous Korean fried chicken. However, since the chicken fried food is generally considered a drink, no places in the area is open for lunch.

After some wandering, we found Misoya, a pork chop from Japan together. They just wanted something fried to settle their stomachs, after all that fun and drinking.

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