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Showing posts with label TV. Show all posts
Showing posts with label TV. Show all posts

Movie Review - '2012'

Friday, November 13, 2009

A common complaint leveled at movie critics, almost exclusively with big budget blockbusters, is that we expect them to be something they're not. True, not everything tries to win Oscars and bad acting and writing can often be overlooked, but some films are so bad even on the basis that they should be evaluated that you can only forgive so much in the interest of entertainment. Within its own little universe, 2012 really only wants to create the apocalypse to end all apocalypses, and it's pretty successful at it, frankly. Director Roland Emmerich is The Master of Disaster, having helmed a few movies that put human civilization on the brink of extinction from one cause or another. There's always an unlikely hero, seldom a likely one, and familiar monuments get demolished rather convincingly through computer animation. There's always a scientist who knows how it will play out, and somehow amid all of this, there's romance in bloom. As you might suspect, 2012 is loosely inspired by the end of the Mayan calendar, which goes dark in December of that year. Some of the scientific theories at work here exist, although they may be shady. Still, unless you know these things going in, it seems fairly plausible: The sun is basically cooking the crust of the Earth and eventually - say, December 2012 - it will finally give way and everything will start to move uncontrollably. You probably don't know there are nearly 10,000 earthquakes a day because most of that movement is so minor you never feel it. But it's always moving, and we know California is overdue for "the big one." So why not? Now, in Emmerich's world where all this is set in motion, does the movie work? More often than it doesn't, and that might be a surprise. Considering his film is over two-and-a-half hours long, it holds together pretty well. That doesn't mean 2012 doesn't have its problems or that the things our survivors live through are in any way acceptable, but the movie just keeps rolling on, and when Emmerich does slow down so we can catch our breath, these characters aren't that bad. There's struggling novelist Jackson Curtis (John Cusack), who drives a limo for a Russian tycoon. He first suspects something's wrong when he and he kids are detained by the Army at gunpoint during a trip to Yellowstone. While there, he meets geologist Adrian Helmsley (Chiwetel Ejiofor), who is leading the government's research into a disturbing trend of rising temperatures under the Earth's surface. He knows what it means, but doesn't know how imminent the danger is.

Charlie Frost does, though. Frost (Woody Harrelson) is your friendly neighborhood crackpot, who just so happens to be right about the end of the world, and for the right reasons. He tells Jackson that the government is building spaceships and even has a map. Why not? The guy's been dead-on about everything else. Because of his accidental preparedness, Jackson is one step ahead of, well, everyone in California when he returns there to grab his ex-wife (Amanda Peet) and, regrettably, her new boyfriend (Oscar-nominated writer Tom McCarthyThe Visitor) to go...uh...somewhere. With the Earth crumbling below them, all they can do is fly. Good thing the boyfriend has taken two flying lessons. Again, it's wholesale silliness, but what else would you have the movie do? Swallow the hero in a fault line 30 minutes in? I won't spoil the story more than I might have already - in my defense, almost all of the good stuff is available in any trailer you've seen - and I'll skip the obvious dilemma of having the world's communication systems work for most of the action. (Sure, cell phones work on satellite signals...but your phone doesn't have a satellite receiver.) You could nitpick, and that's fine. The difference between 2012 and the second Transformers movie, which also puts the world in computer generated peril is that Emmerich takes the time to flesh out the characters enough that we're willing to go on a very preposterous ride. One final note: Recent disaster movies almost always target New York City. It's one of the most populated and popular cities in the world, and it's full of recognizable landmarks that make for good exploding fodder. If I remember correctly, we only see Times Square once, and the Statue of Liberty and the Empire State Building never crumble. So that was a welcome change.

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A Christmas Carol 3D - The Imax Experience (PG)

Friday, November 6, 2009


A CHRISTMAS CAROL 3D – THE IMAX EXPERIENCE (PG)
Verdict: *****
DON’T tell Scrooge – but Christmas is coming 48 days early this year!
Opening even before Birmingham’s Frankfurt Market in Victoria Square, Jim Carrey’s new Charles Dickens’ adaptation is playing everywhere from today. Best of all, it’s also on the unbeatable giant IMAX screen at Millennium Point.
From the opening moments to the closing scene, A Christmas Carol is a festive treat for your mince pies – we’ve rarely seen such a good-looking film as this.
Written for the screen by Back to the Future director Robert Zemeckis, it uses the motion-capture technology he pioneered in Polar Express and Beowulf to put animated versions of some of our favourite actors into sets so lifelike they cannot possibly be real. Or are they? One can never be quite sure, such is the immersive experience of watching a film like this in 3D at IMAX.
The opening rooftop swoop is even better than the one which heralded the last Harry Potter movie, with the blend of reality and animation enabling Zemeckis to take the camera to places it has never been before.
Jim Carrey’s chin is so long that he’s quite unrecognisable as Scrooge. The man who famously hates Christmas now resembles Wilfrid Brambell’s shambolic Albert Steptoe, blended with elements of Robin Williams’ most manic grin and a touch of Bruce Forsyth.
As well as portraying the friendless seven-year-old Scrooge and again as a feeble old man, Carrey also plays The Ghosts of Christmas Past, Present and Christmas Yet to Come.
Although he’s singularly failed to find the right roles in order to come close to the Oscar nominations that would elevate him alongside Robin Williams, after ‘training’ for this in The Grinch and Lemony Snicket, Carrey has found a whole series of suitable roles in this one, unforgettable movie.
Gary Oldman also multi-tasks, playing Bob Cratchit as well as Cratchit’s ailing son, Tiny Tim, and Marley’s Ghost.
Colin Firth, given a dimple in his chin, is Scrooge’s cheerfully-optimistic nephew, Fred.
Two Zemeckis favourites return. Robin Wright Penn (Beowulf / Forrest Gump) plays Belle, a beautiful young woman Scrooge chooses not to pursue, while Bob Hoskins (Who Framed Roger Rabbit?) is both Fezziwig and Old Joe.
A Christmas Carol’s weakness is its over-familiarity, despite adding parts of Dickens’ 1843 story not previously committed to film.
The film is very dark and will certainly scare younger viewers in between its more reflective moments and exciting rollercoaster chase sequences. Certainly sensitive six-year-olds and under ought to be taken to standard 2D versions.
Tickets for the IMAX aren’t cheap, but when films like this come along they are worth it at £9 for adults and £7.15 for under 15s. Website: www.imax.ac or call 0121 202 2222.

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The Office - Koi Pond

Thursday, October 29, 2009


(S06E08) You know, as a solitary episode, "Koi Pond" was incredibly satisfying from beginning to end. Outside the office, you had Andy and Pam making cold calls, while back at the office you had the aftermath of a different sales call Jim and Michael had gone on.

It was the perfect blend of everything that makes The Office work, when it's on its game. There were plenty of laughs, great lines and little moments for everyone in the office. We got some developments on the dramatic side, and most important of all -- an incredibly awkward moment with Michael Scott.

As for Jim, he's really struggling with aspects of his new position, and it's adding a whole new dimension to his character. He's always been a little insecure about his leadership ability, but now we're seeing that he's about as ineffective in controlling the Scranton branch as Michael ever was, thus realizing many of his worst fears.

After years of crazy in the manager's office, it's probably going to be difficult for them to respond to a more normal managerial style. Plus, they still know Jim as the prankster he was before he got this promotion. And he's trying so hard to be taken seriously, too.

As the episode progressed, I found myself hoping that we might never see Michael fall into the koi pond. It was like the Hitchcockian conceit that what the mind imagines will be far worse than anything we might present on the screen. In this case, what the office workers and what we at home were able to envision was far funnier than what we actually saw.

It took me awhile to realize in what way Jim was wrong there. It seemed like a reflect jerk back at the moment Michael began to fall into the pond, but I can see the argument that he wanted him to go down. It was good to see Michael get that moment of satisfaction. If there's one positive aspect to Michael's character, it's that he is an amazing salesman.

How else would he have not gotten fired a million times already?

I loved how Michael took Jim's advice about self-deprecation leading to others defending you ... I was even surprised when it started working for him. But, of course, he took it too far. The poor guy has been tortured by his peers his whole life. Do you think the writers will at least give him a happy ending when the series finally ends? Would you even want them to?

The rest of the episode was Pam and Andy on their cold calls. First, you had Pam laughing at the thought of her and Andy being married. Then you had Andy saying that Pam was carrying the surrogate child for the hot model he was with, so that she wouldn't lose her figure. "Who cares what Pam looks like."

I thought maybe they'd finally gotten it right when they agreed to the assumption that they were together. But then you had Andy kissing Pam's belly and things got very awkward. It's nice to know that if Michael isn't around, Andy is just as socially clueless.

But it all came down to Andy's loneliness. I guess we're heading toward an Andy-Erin relationship, because she actually thinks he's cool like Marlon Wayans. The writers are still trying to figure out her personality. We know that she's a stickler for rules and that she can't stand being "mean." Oh, and we know that she's an orphan.

I wrote down as many things as I could see on Michael's "Do Not Mock" list, but feel free to add any that I may have missed (or correct me if I got one wrong. Some were seen only fleetingly).

  • Do Not Mock
  • Michael: Koi Pond, Fountain
  • Dwight: Nose too small
  • Erin: Orphan
  • Kevin: Huge Gut
  • Angela: Stingy (or is that Squirrel?)
  • (Meredith): Sex with a terrorist
  • Ryan: Kelly

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Tuesday's Highlights

Wednesday, October 28, 2009

Explorer: The new episode "Mystery of the Disembodied Feet" investigates cases of severed human feet that have washed ashore around British Columbia, Canada, over the course of a year (7 and 10 p.m. National Geographic).

It's the Great Pumpkin, Charlie Brown: Linus sits in his pumpkin patch waiting for the Santa-like Great Pumpkin to reward him with Halloween largesse in this classic special (8 p.m. ABC).

BET Hip-Hop Awards 2009: Top hip-hop artists are honored in the fourth annual ceremony. Mike Epps hosts (8 p.m. BET).

Modern Marvels: This new episode takes a behind-the-scenes look at Knott's Berry Farm's annual "Knott's Scarry Farm" event (8 p.m. History).

Dancing With the Stars: Taylor Swift performs and two couples are eliminated (9 p.m. ABC).

Frontline: In the new episode "Close to Home," producer Ofra Bikel examines how the middle class is doing in the current recession from the perspectives of people she has come to know at the hair salon she has frequented for the last 20 years (9 p.m. KCET).

The Universe: Computer graphics help illustrate the difference between the phenomena of pulsars and quasars (9 p.m. History).

Monica: Still Standing: This new, unscripted series premieres as recording artist Monica works on her fifth studio album (10 p.m. BET).

Flipping Out: The show's principal figures -- obsessive-compulsive house flipper Jeff Lewis, assistant Jenni Pulos, housekeeper Zoila Chavez and Jeff's ex-boyfriend -- and possibly ex-business partner -- Ryan Brown reunite to discuss the events of Season 3 (10 p.m. Bravo).



The Little Couple: In the season premiere the couple make an appointment to test Jen's lung capacity, which is important in determining her ability to carry a baby (10 p.m. TLC).

SPECIALS

Michael Jackson: This Is It Movie Special: This new special gives viewers an early look at the new film (8:30 p.m. MTV).

Scream 2009: Fans and celebrities gather at the Greek Theatre in Los Angeles for the fourth annual celebration of creative talent in the horror, sci-fi, fantasy and comic genres (10 p.m. Spike).

MOVIES

High Noon: Gary Cooper gives an Oscar-winning performance as a western lawman forced to take on an old nemesis single-handedly when the townspeople turn yellow. Grace Kelly, Lon Chaney Jr., Lloyd Bridges and Ian MacDonald also star in this 1952 classic (3:30 p.m. TCM).

Poltergeist: In 1982, the same year that Steven Spielberg was charming us with "E.T. the Extra-Terrestrial," he was scaring us out of our wits with this suburban horror film starring Craig T. Nelson, JoBeth Williams, Heather O'Rourke and Dominique Dunne (5 p.m. TCM).



SPORTS

NBA basketball: The Boston Celtics visit the Cleveland Cavaliers (4:30 p.m. TNT); the Clippers visit the Lakers (7:30 p.m. TNT).

College football: East Carolina at Memphis (5 p.m. ESPN2).



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Nerd-gasm Alert! Wil Wheaton Guest Stars on “Big Bang Theory

Monday, October 19, 2009


On tonight’s episode of “The Big Bang Theory,” entitled “The Creepy Candy Coating Corollary,” nerdy physicist Sheldon (Jim Parsons) challenges actor/social media guru Wil Wheaton (playing a “delightfully evil version” of himself) to a game of “Mystic Warlords of Ka’a,” a fictional, Magic: The Gathering-like card showdown. According to Sheldon, Wheaton — who co-starred as Wesley Crusher on “Star Trek: The Next Generation” — was sixth on his “eternal hatred list” because he failed to show up at the ‘95 Dixie Trek convention and sign the burgeoning nerd’s ST:TNG action figure. (Also on the list? Director Joel Schumacher, for almost ruining the Batman franchise.)

Given Wheaton’s rise from hated sci-fi character to genuine geek icon, the actor/author immediately took to his blog following the show’s east coast airing to talk about what it was like behind the scenes. Among other things, he notes that the show’s art department devised actual “Mystic Warlords of Ka’a” cards with graphics and rules, and how it was a challenge to figure out how to play a stylized version of himself. He writes:

During one of the run throughs, when Jim did his Klingon bit, I turned to Kevin [Sussman, who plays Wheaton's 'Mystic Warlords' partner] and asked him, “Did he just say ‘revenge is a dish best served cold’ in Klingon?” like I was trying to figure out if that’s actually what happened, like maybe I misunderstood him. [Show creator] Chuck Lorre told me that it would be funnier if I was more exasperated. “You’re just here to play this game, and now some guy is quoting Klingon at you. This happens everywhere you go,” he said.

I sighed dramatically, and said, “Oh, it does.” Everyone laughed, hard, and Chuck pointed his finger at me. “Yes. That is exactly the way to play that beat.”

When Chuck gave me that note, I grokked how to play Evil Wil Wheaton (The Big Bang Theory version), and I could see the comedy in every beat I played for the rest of the show. I totally grew a level in comedy acting, and learned something about letting go of who Ireally am, so I could embrace the Delightfully Evil version of myself (who I seriously hope will return in the future, because OMG was it fun to play him.)

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